Work

Producer라고 부르지만 현장 진행, Infrastructure(Network, Storage), 촬영기술, 편집기술, 색보정, 인코딩, QC를 모두 다루고 있음.

Although I am called a Producer, I handle everything from on-site production, infrastructure (network, storage), shooting techniques, editing techniques, color correction, encoding, and QC.

H*******

Producer, R&D | Oct 2015 - Current

H에 합류한 뒤 다루게 된 일은 다음과 같음

After I joined H, I charge of the following:

Develop and application of a new technique for shooting and editing video content.
Design and implementing a new video content production pipeline.
Accelerating the encoding and QC process for faster delivery.

H에서 진행한 프로젝트는 다음과 같음

Projects I worked on at H:

Multiscreen Experience content creation for various events and stores.
- CES: Design, Sourcing, Building for Multi-camera array for 30k x 20k timelapse. On location troubleshooting at CES.
- IFA: Perspective aligned content creation for curvative display which moves with the robot. And Multi-screen experience content creation. On location troubleshooting at IFA.
- ISE: Multi-screen experience content creation for Home Appliances. On location troubleshooting at ISE.
- Best Buy: End to end production for Multi-screen experience on US Best Buy stores. Local and Remote troubleshooting for syncronize playback.
- Costco: End to end production for Multi-screen experience on US, CA, UK, KR Costco stores. Local and Remote troubleshooting for content alignment using photogeometry.
- Sam's, Bjorn's: End to end production for Multi-screen experience on US Sam's and Bjorn's stores.
Line Producer, Location Scouting, DIT on-location.
- Iceland: Filming northern-lights and landscapes for 3 weeks in Southern Iceland and Highland for 30k x 20k timelapse.
- Australia: Filming landscapes for 2 weeks in Perth and Southern Australia.
- US: Filming landscapes for a week in Redwood National Park, US.
- New Zealand: Filming landscapes for 2 weeks in South Island.
- Italy: Filming landscapes for 2 weeks in Dolomites, Italy.
- Fiji: Filming waves at Cloud break, landscapes for 2 weeks in Fiji.
- South Korea: A lot of studio and on-location shoots.
Infrastructure for video content production. All of these are assisted by M7's LLM or LLM I trained, whether it is code or not.
- Network: Sourcing, building, and maintaining Redundant network for 8K+, HDR video content production.
  - Hardware used: Mikrotik Swithes, Supermicro Chassis.
- Storage: 3R (Reduce Cost, Resilient, Redundant) storage design and implementation for video content production.
  - Software and Service used: Proxmox, TrueNas, Docker, ObjectStorage, PostgreSQL, Cloudflare.
- Encoding and QC Automation: Design and implement a new encoding technique for video content production.
  - Software and Service used: Docker, FFmpeg, x265, av1, Dolby Encoding Engine, Netflix VMAF and CAMBI, AWS Media Convert, Cloudflare, PostgreSQL, Docker.
- LLM assistant: Built and deployed LLM RAGs to quickly respond to client needs, locate important files, or track projects.
  - Software and Service used: Ollama, PostgreSQL vector database, Docker, Cloudflare, Oracle Cloud, Google Gemini, OpenAI.

I joined H early to grow. As a Producer and R&D specialist at H******* from 2015 to present, I have been responsible for diverse areas including multiscreen experience content creation, on-location filming and producing, and infrastructure development for video content production. Beyond the conventional production role, I have demonstrated expertise in handling every aspect of content creation, from on-site management and infrastructure setup (network, storage) to shooting and editing techniques, color correction, encoding, and quality control.

I have produced multiscreen content for international events such as CES, IFA, ISE, and major retail outlets including Best Buy and Costco, while also leading high-resolution timelapse and landscape filming projects across Iceland, Australia, the United States, New Zealand, Italy, Fiji, and more. Notably, I have successfully completed technically challenging projects, such as producing 30K x 20K resolution timelapses.

In building video production infrastructure, I have leveraged LLM technology to establish and maintain redundant networks, design and implement 3R (Reduced Cost, Resilient, Redundant) storage solutions, create encoding and QC automation systems, and develop and deploy LLM assistants for rapid response to client needs. These experiences have shaped me into an expert in constructing efficient content production pipelines using cutting-edge technologies.